The Matilda Kästel collections

The Matilda Kästel collections

The Matilda Kästel collections

The Lonely Body

It never ends, does it? Hope may fade, but longing lingers. For someone to wake up warm beside you, with bad breath and dried sweat, quirks and foolishness.


From Elsie Johansson’s book I sin ensamma kropp

One of my closest friends says we become ourselves in meeting others — that solitude drives you mad. I agree. The body is the form we all share, something universal. We sweat and vomit, sleep too little, drink too much coffee, enjoy, suffer, persevere. We collect fleeting moments of happiness. And no matter how hard we try, we cannot escape our corporeality. Sometimes, being human feels distinctly unglamorous. I want to portray a body far from the polished, curated ideal we see every day. A body that spills over, smears, and feels awkward. I’m so tired of beauty and trying to achieve it.


I just want to puke on it all.

Look Me in the Eye

Look Me in the Eye

Possession

Possession

Endo

Views of Coercion

Views of Coercion

“A heavy burden, a millstone around her neck . The literal hanging of a millstone about the neck is mentioned as a punishment in the New Testament (Matthew 18:6), causing the miscreant to be drowned.”

Views of Coercion deals with female stereotypes, and the difficulty of living up to today’s ideals and ideas about femininity. Since I started working with glass, I have gone from (in my own eyes) a feminine girl to a butch worker; a change that hasn’t been entirely easy to reconcile with.

By placing myself in the role of the ballerina, one of the most prominent female stereotypes there is, I explore both my own identity as a craftsperson, as well as the norms and conventions of my gender.

“A heavy burden, a millstone around her neck . The literal hanging of a millstone about the neck is mentioned as a punishment in the New Testament (Matthew 18:6), causing the miscreant to be drowned.”

Views of Coercion deals with female stereotypes, and the difficulty of living up to today’s ideals and ideas about femininity. Since I started working with glass, I have gone from (in my own eyes) a feminine girl to a butch worker; a change that hasn’t been entirely easy to reconcile with.

By placing myself in the role of the ballerina, one of the most prominent female stereotypes there is, I explore both my own identity as a craftsperson, as well as the norms and conventions of my gender.